ART TAIPEI 2020 參展藝術家介紹:【黃柏維】

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[黃柏維]
2020 ART TAIPEI
台北國際藝術博覽會
藝時代畫廊
~藝術頑童 『異』時代傳承~
展位:B01
黃柏維,1982年出生於台灣台東,2019年畢業於國立臺灣師範大學美術系美術創作理論組博士班。
生命的解構&結構
華麗的羽衣。綻放的花
像極了❤️愛情⋯⋯⋯
[黃柏維]隱眉菊image
創作由生病經驗中面對意念與身體分離,而無法完成簡單動作的瞬間,意識到身體是一件物體,從物體能被處理並在過程中探討自我生命的狀態。藉由不同的生命體符號物件化後融入畫面產生與自身的對應關係,解構原來整體的身體觀,企圖超越固著的身體形態。並以主客體的造形差異的操作中,企圖在視覺上給人產生碰撞、拉扯、跨越等感受中,延伸出其他的可能性。觀者在看作品的過程中,遠看和近看之間,也解構原先自已以為的看到,從新在圖像認識中有所樂趣或省思。從視覺符號的變異、挪用和轉換,以及多元媒材相互建構的過程中,讓觀者進入一個相對傳統繪畫自由、多元的空間,能用自我經驗去對應的異世界。
【Po-Wei HUANG】
Po-Wei Huang was born in Taitung, Taiwan in 1982. He graduated from National Taiwan Normal University in 2019.
The creation is based on the moment when the mind is separated from the body in the experience of sickness and cannot complete simple actions. The body is an object. The object can be processed and the state of self-life is discussed in the process. As a result, different living body symbols are combined to produce a corresponding relationship with itself, deconstructing the original overall body view, and attempting to transcend the fixed body form. In the operation of the difference in the shape of the subject and the object, it is an attempt to visually create a sense of collision, pulling, and straddling to extend other possibilities. In the process of looking at the work, the viewers also deconstructs what they originally thought, and regained some gains or reflections from the image recognition. From the change, appropriation and conversion of visual symbols, as well as the mutual transformation of multiple media materials, the viewers are allowed to enter a relatively free and multiple space of traditional painting, and they can use self-experience to correspond to a different world.
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